The Graduate Program in Theatre & Performance Studies is proud of its accomplished, award-winning faculty. Faculty members are listed here based on their primary program (or faculty) appointment.
All faculty listed here are eligible to serve on masters and doctoral committees. However, please note that only those faculty with an asterisk (*) beside their name are eligible to serve as PhD dissertation supervisors.
Members of Graduate Executive:
Graduate Program Director, MA & PhD
Anthropologist, performance theorist and theatre director. Research interests include: performance of migration and exile, decolonizing research methodologies, race and ethnicity, imaginative and performance ethnography, violence and terrorism, affect theory and embodiment, gender and sexuality, political and activist performance, community-based theatre, physical theatre, research-creation, practice-based research. Founding member of the Centre for Imaginative Ethnography. She is the 2014 recipient of the School of Arts, Media, Performance and Design Junior Faculty Teaching Award in recognition of her contribution to excellence in teaching in the Department of Theatre
Laura Levin *
Contemporary theatre and performance art; performance theory and disciplinary genealogies in performance studies; gender and sexuality in/as performance; urban, site-specific, and environmental performance; performance, space, and cultural geography; intermedial, digital, and online performance; practice as research; devised theatre practice; photographic theory and performative photography; intersections of performance and the visual art
Danielle Robinson *
Dance Ethnography; cultural studies; dance history; critical race theory; social dance reconstruction; multicultural dance education; popular dance practices; African diaspora within the Americas; Latin American dance cultures.
Marlis Schweitzer *
Theatre history & historiography; consumer and commodity culture; 19th and early 20th century popular entertainment; fashion studies; gender and sexuality in/ as performance; transnational performance culture; theories of material culture.
R. Darren Gobert *
Theatre & Performance Studies Faculty
Research interests include: performance theory; North American contemporary performance; performativity in simulations and reenactment culture; Latina/o-Canadian theatre and performance; genealogies of nostalgia and performance; as well as performance analysis and pedagogy.
Performer, choreographer, playwright and director; mime, clown, comedienne, masks, voice and dance. Recipient of York Faculty of Fine Arts Dean's Senior Teaching award 2009/10.
Guillaume Bernardi *
Main areas of interest include acting theory — particularly looking at applications of cognitive science to the acting process —, performance studies, theatre and politics, feminism and theatre, alternative performance, and Chekhov. Southern Methodist University.
Marcia S. Blumberg
Exploration of the methodological, theoretical and ethical challenges of engaging with arts-based research. Engages arts-based methods in the creation and dissemination of research. University of Toronto, Department of Psychiatry, Dalla Lana School of Public Health, and Senior Scientist and Scientific Director of Qualitative Inquiry, Hospital for Sick Children.
Kym Bird *
(Graduate Program Director, MFA)
Jennifer Fisher *
Dance scholar and cultural sociologist whose research interests include popular culture, dance education, music, aesthetics, critical posthumanism, dance, communication, cultural studies and enviromental sustainability. Specializes in researching the dance style known as breaking (or b-boying/b-girling)
Performance and social movements; race, gender, nation and colonialism and post-colonialism, Caribbean societies and their diasporas, community and environmental arts and education.
Theatre history, Shakespeare studies, modern and contemporary drama, playwriting.
Terry Goldie *
David B. Goldstein
Sixteenth- and seventeenth-century British literature including Shakespeare, performance studies, theatre history, food studies, poetry writing, avant garde poetry and poetics, literary and cultural theory, and book history.
Devised theatre, acting, dance, choreography, movement for actors, ensemble creation, indigeneity.
Alberto Guevara *
Contemporary performance theory and practice; theatricality of violence, nationalism and spectacle; ethnographic methodologies; the body in performance; evocation through film and theatre/performances of resistance; power and revolution, power and protest; and postcolonial theory; areas of expertise are Latin America, Nicaragua, Nepal and Canada.
Primarily interested in the nature of the tourist interaction and experience; and most recently on Ontario cottage culture. Other research interests include the politics of representation of Canadian Aboriginal cultures in museums; the history of Canadian anthropology; and the culture of non-profit institutions.
Specializes in dramatic literature and theatre history with particular interest in disability arts and intersections between health, disability and performance.
Interdisciplinary performance, performance studies
political and aesthetic theory and performance object theatre, puppetry and material performance, postcolonial and Indigenous theatre and performance twentieth-century and contemporary theatre, vernacular music and arts
William J Mackwood
Cites and cinema; feminist/post-colonial media; social media and activism; film festivals and utopias; micro-cinemas; curatorial studies; theories of spectatorship; phenomenology and affect; experimental cinema.
Master of Winters College. Theatre Production. Current research interests include 19th century theatrical effects, ritual drama, street theatre, and health and safety issues in the entertainment industry.
Gail Mitchell *
Integrating the arts in research dissemination; the ethics of nursing practice and education; nursing knowledge and nursing theory; transformative leadership; unitary thinking & global health; human science nursing; lived experiences of dementia and diabetes; ehealth technology; teaching-learning through discussion; human becoming theory and criticism; development of moral consciousness.
Modupe Olaogun *
Elizabeth A. Pentland
Don Rubin *
Canadian theatre and cultural politics; Canadian theatre history; Modern and Contemporary Canadian and world theatre; applied theatre criticism; African theatre and drama; Ibsen, Strindberg and Chekhov; Modern Drama and the avantgarde; Shakespeare and the Authorship Question; theatre publishing.
Judith Rudakoff *
Political popular theatre, community engaged theatre, critical pedagogy, playwriting; violence, witnessing and testimony in performance. Playwright, Instructor, Libbrettist, Queen's University.
Leslie Sanders *
Interdisciplinary scholar in the fields of dance, theatre and performance. Her interest in all forms of art and diverse performance styles informs her research on the moving body and globalization.
Renaissance drama, contemporary Canadian drama, metatheatricality, autobiographical performance, and performativity in fictional worlds-within. Undergraduate Chair, Drama, Queen’s University.
Ross Stuart *
Musical theatre history and practice; Canadian theatre history; summer festivals and theatres, Stratford Festival history and practice; improvisation and adaptation, play development and production for educational and community theatre, playwriting.
Doug Van Nort*
Canadian drama; Contemporary British and American drama; Samuel Beckett.
Canadian theatre and literature in English; Sharon Pollock; dramatic writing by contemporary women; psychological approaches to literature.